Playing on the fringes of techno and house, she is as tight on the controls as she is playful in her storytelling. This and her unique ability to feel the audience, space and time is one of her true trademarks and can also be heard in her own production. Her work as a producer has been continuously taking shape signing with labels such as Get Physical, URSL Records, Feines Tier and various compilations for collectives such as the Gardens of Babylon, Kiosk I.D., Afterhour Sounds and Hug Records. Franca‘s deep connection with the Kater universe has been growing for years, until in 2018 she officially became part of the resident family.
@aaryanmusic, happy to have you <3 Who is your favorite URSL artist? /// "My favorite URSL artist is @amount_ursl <3" Link in BioHey @jurek.riegler, thanks for joining us on our 10 Years trip. We were wondering how do you see the future of producing? How do you make use of technology? /// "I think the future of producing does not lie, as many listeners might assume, in a new form of sound synthesis or recording technology. In the future, everything will revolve around interfaces. It will become easier and easier to capture ideas even without a musical background. Maybe one day we will carry a small sound card in our heads and our steps will trigger the bass drum. My technical set up will not change that much for the time being. I work mainly software based. I usually use analog synths only when the arrangement is already set up - then I simply exchange certain sounds, which saves an incredible amount of time. At the moment I'm very interested in new midi controllers. For example, the guys from Vochlea allow you to trigger sounds using your own voice. Or products like Midi Guitar 2 or Jammy, which offer quite playable midi concepts for guitarists. There's a lot going on in this field at the moment, I'm curious to see what else is coming. " Link in Bio <3